bernie connor presents 'the sound of music' episode twenty two: all the love in the world.
Download this episode (78 min)
the nature of pop journalism and indeed the nature of pop music itself throws up some wild and ludicrous claims and suppositions. one has to just think back to the legend that is 'clapton is god' to realise how soft arsed som claims can be. clapton is/was nver god, he's just a fella that plays electric guitar. david bowie is god. he wrote drive-in saturday.a recent nme article claimed that blur are the most influemtial british band of the modern age, based on nothing more substantial than they were playing in london that week and the journo responsible was probably on the guest list. an excercise in mutual back-scratching that had got clearly out of control. but surely it transcends guest lists and soft-soap of pluggers and pr types. these statements are crass and self-serving. great if you like blur, it might make you feel like part of an exclusive club that vindicates everything you've ever believed in.
blur really aren't the most influential band of the modern age, the statement relayed to myself suggested that they were supposed to be the most influential british band since the beatles, which if it hadn't been so hilarious could have been possibly libellous. a casual glance around the web could find no evidence of this outrageous boast, although in all fairness i didn't look very hard. the very notion that soneone could think that, let alone write it with a straight face is both brave and foolhardy in equal amounts. but then, the modern age? when does that start and finish? the last year? the last decade or the last half an hour?
the distance between blur and the beatles is about twenty years, which may not seem that far if you're in your late forties, but will seem unfathomable if you are 22. i know this might sound like another outlandish claim but there are still people who read every word of the nme and think it's the gospel truth. really. the school of thought that puts blur in such a lofty position completely airbrushes david bowie, punk and all its bastard offspring, roxy music and the acid house explosion, to name but a few, out of the equation. reallly.
it's not an age thing, no sir, it's about listening to music, the context of its time and how it's perceived in the here and now. if there are people out there who espouse these views then what they should realise is that british pop in all its myriad forms is multi-faceted, beautiful work of art that deserves better respect than pitching the ridiculous against the sublime. blur's work is derivitive of the previous thirty years of british pop, surely that makes the groups they attemted to imitate (small faces, wire, the solo works of eno) equally, if not more influential.
the only thing i can suggest is that it must have been a very slow day at nme towers or the overwhelming desire for a guest list for the gig caused an irrational outbust of superlatives. either that or the person responsible had never heard any british music made before 1990, that is the more distinct possibility. based on the same princilple didn't they vote the smiths as the most influntial band of all time? or something. both earth shattering and amusing.
positively hysterical.
this week: we realised what was going on but did nowt about it.
WE WILL NOT SHY AWAY FROM POP MUSIC.
in the basement.....etta james & sugar pie de santo.
kerosene.....big black.
wind it up.....mark pritchard & om mas keith.
bedroom mazurka.....augustus pablo & fay.
hot smoke and sassafras.....bubble puppy.
two weeks.....grizzly bear.
don't make me wait (larry levan mix).....peech boys.
see my baby jive.....wizzard.
spiders (kidsmoke)....wilco.
scene thru the eye of a lens.....family.
no fear.....photonz.
the true one.....gene clark.
millions like us.....purple hearts.
heavy cross.....the gossip.
washed, ironed and folded by bernie connor and sike. the bespoke audio people. x
to the memory of the colossus that was george mckay. x
i think liverpool's a wonderful place to be. sometimes. there have been moments in the past milennia that have been some of the most wonderful and rewarding experiences imaginable, conversely yhere have been moments of soul crushing disappointment and murdrous bad vibes. inner city life. writ large.
we really have come an awfully long way, y'know? i never ever thought for a single moment that i would still be doing this almost six months later. i thought at best i would give up admirably following a heavy spate of consumer apathy around episode ten. yet the response has been overwhelming and almost universally positive. the only real negative, if you can call it that followed episode two -i think- at 4.03 am anonymous said....shit. even then me and weezle took it as a compliment, you know you've arrived when the backlash begins.
and, there we were in one place. a generation lost in space. 



